Houston, TX is known for many things; sports, NASA, and of course its contribution to Southern Hip Hop culture. Growing up on the notorious Dead End Drive from the city’s south side, Killa Kyleon embodies everything the city used to be and more of what it is destined to become.
After a young Killa Kyleon caught the attention of Slim Thug, who signed him to his Boss Hogg Outlawz imprint, he released three projects as a member of the Outlawz, gaining popularity both regionally & nationally. Upon parting ways with the group & imprint, Killa propelled forward as a solo artist, successfully completing “30 Days 30 Deaths” (a previously unheard of attempt at dropping a new freestyle every single day for thirty consecutive days) in addition to a hand full of highly-regarded mixtapes. In addition, Kyleon was featured on Wiz Khalifa’s highly acclaimed ‘Kush & Orange Juice‘ project and worked alongside DJ Drama to release ‘Gangsta Grillz Extra: Natural Born Killa‘.
Killa Kyleon remains one of the South’s most talented, crafty, hard-working, & diverse artists and he has very ambitious plans for 2017, including a new album, ‘Texas Plates & Candy Paint 3‘, which will be released this spring and includes guest appearances from Bun B, Scarface, Devin The Dude, A$AP Rocky, A$AP Ferg, Willie D, & Young Dolph, among others.
Today, Killa Kyleon releases the first visual, “Killing Over Jays”, from his recently released conceptual project, ‘Lorraine Motel‘, which made a top 15-debut on the iTunes charts (hip hop) and honored the legacy of historic Black leaders & figures, chiefly, Dr. Martin Luther King, who was assassinated on 4.4.1968 at the Lorraine Motel in Memphis, TN. During the segregation era, the hotel was an upscale destination that accommodated exclusively Black clientele; and it became a frequent destination for many influential & iconic artists as well, including Ray Charles, Aretha Franklin, Otis Redding, Wilson Pickett, & The Staple Singers. The hotel is now a complex of museums and historic buildings, tracing the history of the civil rights movement from the 17th century to present day. The National Civil Rights Museum is built around the former Lorraine Motel.
Killa Kyleon states:
“The ‘Lorraine Motel’ project is directed at what’s going on in today’s society within the Black community as a whole. It’s not a one sided commentary, it deals with the treatment people of color have been receiving from law enforcement and how we are programmed and influenced by social media, television and the culture of Hip-Hop to treat each other as well. As a race and culture, we need to stand together, but also take accountability for our actions. I feel the Black American dream and ideal died when MLK was murdered in Memphis (at the Lorraine Motel). So I created this conceptual project as an analogy of today’s climate in America. We all (African Americans) died that day at the Lorraine Motel. Barack Obama is the last of one of our strongest Black leaders to lead us as a race. The ‘Lorraine Motel’ project focuses on events (both past and current) that have taken place since that fatal day.”
“Killing Over Jays” focuses on the importance today’s youth place on being fashionable and also the shoe companies that prey on them. Killa details the rising costs of sneakers (cough Big Baller Brand) and how popular shoes are being released with far greater frequency (corporate greed) creating a vacuum of potential violence. At its essence, the “Killing Over Jays” video is a PSA trying to convey how senseless all of this is.